Securing First 8 Copies of ERs: Safeguard Against Automated "Garci"


If we want to ensure credible election results, we must guard the printing and safekeeping of the first 8 copies of ERs (election returns) at the (clustered) precinct level prior to hooking-up the PCOS (Precinct Count Optical Scan) machine online.

This was the suggestion made by former COMELEC Chairman Christian Monsod this morning when asked about how we can generate confidence on this coming Monday’s first automated national and local elections.

Former COMELEC Chairman Christian Monsod
Former COMELEC Chairman Christian Monsod (Image from: http://www.mbc.com.ph)

At the closing hour of election day, at about 6pm, the PCOS will automatically refuse accepting ballots, finalize the tally results and print 30 copies of ERs.

The first 8 physical copies of election returns (along with the access to servers) will go to the following:

1. COMELEC
2. Congress
3. PPCRV (Citizen’s Arm)
4. Dominant Majority (Lakas-Kampi-CMD)
5. Dominant Minority (since the NP-NPC coalition has been invalidated, LP becomes the dominant minority)
6. Provincial Board of Canvassers
7. Municipal Board of Canvassers
8. KBP

Monsod says that following the assurance that the ‘source code’ (software program) is clean and that the copy of the program stored in a Bangko Sentral safety deposit box is the exact same program stored/used by the PCOS (which can be verified by a ‘hash test’ to be done by COMELEC before the elections), the immediate printing of ‘untainted’ clustered precinct-level results and securing it will be our assurance that should an automated ‘Garci’ happen from municipal level upwards, we will be confident that a manual count verification would be reliable.

He adds that once data is transmitted, it may be prone to ‘manipulation’ and depending on the safeguards installed, even a third party may hack into it and alter the results through digital ‘padding and shaving’ (aka ‘dagdag-bawas’).

Why data must go through a Smartmatic ‘central hub’ must also be clarified. Monsod thinks the Supreme Court, in addition to compelling the COMELEC to release their overall election preparations including but not limited to contingency plans and RMA guidelines, must also ask the COMELEC to justify whether it is indeed necessary for a third-party like Smartmatic to have access to the data transmission and why data can’t go straight to COMELEC servers.

Citing a recent testing where data results were in conflict with manual count, Smartmatic was said to have resolved the issue by accessing the PCOS remotely. This now raises the question: If remote correction/fixing can be done, can this mean remote alteration of results be done as well?

In the end, Monsod says that given the recent hiccups encountered in PCOS testing, a successful automated election is still possible if field implementation is done properly. The success of our first attempt at automation now rests in the teachers and staff who will man the polling place. If this election becomes successful, we owe it to these heroes who risk even their very lives in this democratic exercise.

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About Me
Cecilia Regina Aquino Blanquera Marmol aka RJ Marmol profile picture

I’m RJ Marmol — writer, musician, and independent creator based in Manila.

I write songs, essays, and books about the messy overlap between money, overwhelm, creativity, identity, and rebuilding. Much of my work circles around what happens when life stops feeling manageable — and how we try to think clearly, make decisions, and keep moving anyway.

I’m also the author of Rebuilding Under Debt: Thinking Clearly When Everything Is a Blur, a nonfiction book published under Steady Hand Press. The paperback edition is listed under my full publishing name, Cecilia Regina Aquino Blanquera.

On the music side, I release work as HeyRJ. On the writing side, this site is where I gather my books, essays, notes, and whatever I’m building next.

Music

HeyRJ is my sonic soul project. I create raw, minimalist-style and deeply personal music interpretations that feel like a late-night conversation with your truest self.

By blending lo-fi acoustic textures with poetic honesty, my work explores love, loss, grief, healing, and the quiet in-betweens of life. Each song is a letter — a journal entry — a gentle companion for when the world feels too loud or too quiet.

While my catalogue began with intimate cover renditions, my work is increasingly being shaped by original writing, drawing from years of poems, lived questions, and emotional survival.

“Stuck Home Syndrome” released on March 20, 2026 is my first original 20-track album written during a period when time felt compressed and days began to blur into each other. The songs came from sitting with thoughts that had nowhere else to go — unfiltered, repetitive, and sometimes uncomfortable. It’s a concept album that isn’t built around singles or polish. It’s closer to a continuous inner monologue, recorded with minimal production and very little ornamentation and meant to be listened to as one cohesive body of work. The goal wasn’t to resolve anything, only to document how it felt while it was happening.

On May 29, 2026 I released new original singles – “Rapturous”, “Uh Huh”, “Look At You”, “All That” and “Blew Print”. I continue to release both original and cover songs and intend to so for as long as I can so check back every once in a while — you might. just find something you’ll like.

For business inquiries relating to music, email me at: heyrjmusic[at]gmail[dot]com or my personal email at: rjmarmol[at]gmail[dot]com.

Books

Rebuilding Under Debt: Thinking Clearly When Everything Is a Blur

A nonfiction book about what debt does to the mind — and how to begin functioning again when financial stress has made everything feel blurred, urgent, and overwhelming.

Rather than treating debt only as a financial math problem, the book explores the emotional and cognitive realities of financial distress: shame, decision fatigue, avoidance, panic, relationship strain, and the difficulty of making sound decisions while mentally depleted.

Published under Steady Hand Press. It’s available worldwide in ebook and paperback formats on Amazon. Bookstores and libraries can also be order it wholesale via Ingram.

Contact

For book-related inquiries, media requests, bookstore questions, or discussion-group invitations, you can reach me through the contact page on this site or send me an email to rjmarmol[at]gmail[dot]com or hello[at]steadyhandpress.com