Defining Boxing


I’m no boxing fan. That’s for sure.

But ever since Manny Pacquiao started breathing new life to “the poor man’s sport” long dominated by Mexicans and African Americans — like the usual Filipino, I realized that falling in love with the sport became as inevitable as falling in love with Manny’s talent and sheer dedication to it.

Manny Pacquiao may be many things to many people — a source of inspiration, a source of fascination, a source of intrigue — a source of income.

But who cares what he is to these other people? Who cares really?

All I know is that every time he fights he makes me excited like a kid about to buy a new toy. He makes my stomach churn, my heart throb like crazy each time I see his toned body pressed against the ropes.

Whenever he’s in the ring, I pray earnestly under my breath for his victory. Intensely. Sincerely. And I do so as if his possible failure is mine to bear — his probable victory, mine to celebrate.

In today’s “The Event”, Manny fought as fiercely and as confidently as he always did in the past — only better than before that and before that.

He just keeps getting better every time.

And while fans used to a KO (knockout) seemed a little less jubilant, I am immensely happy that Manny has once again made me feel like a kid for an entire day.

More than a new toy, Manny has given me a sense of pride, a sense of patriotism rekindled by his beautiful ‘dance’ inside the ring.

It takes more than mere love for the sport to appreciate and understand today’s bout. Fans can only see as far as the center of the ring.

It seems that in boxing, it’s not how well you started it. Not even how awesomely you ended it. It’s how you went about it and how you made people feel while you’re at it. The glory of boxing is “in the moment” — not in the announcement of the winner or the glamorous after-party or the hefty paycheck.

The glory is in how Manny Pacquiao has once again proven to the world that like wine, he gets better with age. Like metal subjected to fire, he becomes malleable to perfection — a sight to behold and scorching to touch. There seems to be no end to the number of combinations and styles he learns to use. To say that he may have elevated boxing to an artform is an understatement.

The fight didn’t look boring from afar because Joshua Clottey almost never let down his guard or that he threw so few punches. His body seems hard as stone and his punches, few as they come — ensure that they’re felt.

It looked boring because Manny made it look so damn easy.

His ease in the ring however is in stark contrast with his intense and serious training outside of it — away from the bright lights, from the deafening screams of spectators.

The explanation to Clottey’s all-out defense is best given by the man himself. In the post game interview, when asked why he wouldn’t let his guard down, Clottey explained that he wanted to protect himself from Pacquiao’s speed in the first few rounds and planned to throw punches only when he feels he has already gauged Manny Pacquiao’s movements. That time, to his surprise, never came. And before he knew it, 12 rounds had passed and the chance he had been waiting for was lost to oblivion.

It took Joshua Clottey 12 rounds of strictly defensive boxing to know what we’ve known over the years — that boxing has redefined Manny Pacquiao. And that Manny, in turn, has redefined boxing.

That’s Manny Pacquiao. That’s boxing. And now, it has become impossible to define one without the other.

5 responses to “Defining Boxing”

  1. Check out @rjmarmol ’s blog post RT @rjmarmol {Blog} Defining Boxing http://ow.ly/16NRS5 #RingsideWithManny
    This comment was originally posted on Twitter

    Like

  2. Check out @rjmarmol ’s blog post RT @rjmarmol {Blog} Defining Boxing http://ow.ly/16NRS5 #RingsideWithManny
    This comment was originally posted on Twitter

    Like

  3. Manila Review Avatar

    You took the words right out of my mouth. It was a good thing that I wrote a reaction to the Pacquiao fight before I started reading your blog. Otherwise, I wouldn’t have written anything at all.

    Like

    1. High five, Paul! :) Would read yours in a while. I knew people would be hyperblogging about Manny’s recent fight so I purposely didn’t do my usual blog reading lest I inadvertently influence my initial thoughts. So happy for you and your new blog. I wish you the best.

      Like

  4. You have some honest ideas here. It looks like you have done a research on the issue and discovered.Anyway thanks a lot.I think most peoples will agree with your blog.Keep it up.

    Like

Let me know what you think… :)

This site uses Akismet to reduce spam. Learn how your comment data is processed.

About Me
Cecilia Regina Aquino Blanquera Marmol aka RJ Marmol profile picture

I’m RJ Marmol — writer, musician, and independent creator based in Manila.

I write songs, essays, and books about the messy overlap between money, overwhelm, creativity, identity, and rebuilding. Much of my work circles around what happens when life stops feeling manageable — and how we try to think clearly, make decisions, and keep moving anyway.

I’m also the author of Rebuilding Under Debt: Thinking Clearly When Everything Is a Blur, a nonfiction book published under Steady Hand Press. The paperback edition is listed under my full publishing name, Cecilia Regina Aquino Blanquera.

On the music side, I release work as HeyRJ. On the writing side, this site is where I gather my books, essays, notes, and whatever I’m building next.

Music

HeyRJ is my sonic soul project. I create raw, minimalist-style and deeply personal music interpretations that feel like a late-night conversation with your truest self.

By blending lo-fi acoustic textures with poetic honesty, my work explores love, loss, grief, healing, and the quiet in-betweens of life. Each song is a letter — a journal entry — a gentle companion for when the world feels too loud or too quiet.

While my catalogue began with intimate cover renditions, my work is increasingly being shaped by original writing, drawing from years of poems, lived questions, and emotional survival.

“Stuck Home Syndrome” released on March 20, 2026 is my first original 20-track album written during a period when time felt compressed and days began to blur into each other. The songs came from sitting with thoughts that had nowhere else to go — unfiltered, repetitive, and sometimes uncomfortable. It’s a concept album that isn’t built around singles or polish. It’s closer to a continuous inner monologue, recorded with minimal production and very little ornamentation and meant to be listened to as one cohesive body of work. The goal wasn’t to resolve anything, only to document how it felt while it was happening.

On May 29, 2026 I released new original singles – “Rapturous”, “Uh Huh”, “Look At You”, “All That” and “Blew Print”. I continue to release both original and cover songs and intend to so for as long as I can so check back every once in a while — you might. just find something you’ll like.

For business inquiries relating to music, email me at: heyrjmusic[at]gmail[dot]com or my personal email at: rjmarmol[at]gmail[dot]com.

Books

Rebuilding Under Debt: Thinking Clearly When Everything Is a Blur

A nonfiction book about what debt does to the mind — and how to begin functioning again when financial stress has made everything feel blurred, urgent, and overwhelming.

Rather than treating debt only as a financial math problem, the book explores the emotional and cognitive realities of financial distress: shame, decision fatigue, avoidance, panic, relationship strain, and the difficulty of making sound decisions while mentally depleted.

Published under Steady Hand Press. It’s available worldwide in ebook and paperback formats on Amazon. Bookstores and libraries can also be order it wholesale via Ingram.

Contact

For book-related inquiries, media requests, bookstore questions, or discussion-group invitations, you can reach me through the contact page on this site or send me an email to rjmarmol[at]gmail[dot]com or hello[at]steadyhandpress.com