The Prodigal Son is Not Welcome


Forgive me if I’m not exactly jumping for joy over the latest stunt of former House Speaker Jose de Venecia. As you may have realized by now, I haven’t even bothered to write about it even after a few days the news broke-out. I just had the urge to give you a piece of my mind after that fateful Wednesday morning when all hopes for a case were quashed in an instant. It’s so fast, not to mention gruesome.

It doesn’t look any valiant to me that he finally have the time of day to implicate his former boss PGMA to which he has been a staunch supporter and ally for seven years or so. I mean, come on. What do you want us to feel, really? Do want us to fall on his feet and adore him because of his sudden change of heart? If anything, his confession only revealed the glaring truth that has been staring us all in the face all these glorious years — that he was, in fact as corrupt as, if not worse than all the other public officials featured in exposes et cetera et cetera. And while the law is pretty lenient with state witnesses providing them some sort of immunity just for “talking”, that sort of scheme does not sit well with my perception of justice. Squealing, even within the context of a belated “remorse”, done after much thought and introspection, to my mind, do not in any way in some stroke of a magic wand, magically cleanses and acquits the whistle-blower.

Think about it. If that’s the case, then we can all dip our toes into that cursed and abominable pool of corruption, wallow in it for a while and bask in the confidence of a second chance, to eventually clear our conscience by simply naming names of those who swam with us in this pool. And as a bonus for that good deed, albeit belated, people will consider that as enough atonement for our disgusting sin. But wait, there’s more! You also get to play “hero” for a while. Loved by everyone for such valiant display of courage! Wow.

My dear friends, let us pause for a while and let these events of late sink in.

The impeachment attempt is as dead as it has been feared from the start. 183 vs. 21? Reality is harsh. It is indeed a numbers game, and we knew that right from the start. Part of the reason why it failed, as I see it, is JDV’s persona. The image he brings to the table isn’t charismatic enough to arouse nationalism in the rest the representatives whose hearts belong to their one true love — their positions. A photo? Is that all you can show? No wonder it was dismissed for lack of substance. The evidence must be concrete. And after all those years, haven’t you been wise enough to keep other souvenir of sorts aside from a photo? It just wouldn’t cut it, and we knew that right from the start.

So now, we sit and wait. They’re already toying with the idea of a Cha-Cha, and moves here and there are indicative that a term extension isn’t far from happening. The future is gloomy. The few righteous people in power are tired. The citizenry have grown indifferent. I’m no prophet, but I guess it doesn’t take one to realize that the road ahead is rough. So folks, brace yourselves.

About Me
Cecilia Regina Aquino Blanquera Marmol aka RJ Marmol profile picture

I’m RJ Marmol — writer, musician, and independent creator based in Manila.

I write songs, essays, and books about the messy overlap between money, overwhelm, creativity, identity, and rebuilding. Much of my work circles around what happens when life stops feeling manageable — and how we try to think clearly, make decisions, and keep moving anyway.

I’m also the author of Rebuilding Under Debt: Thinking Clearly When Everything Is a Blur, a nonfiction book published under Steady Hand Press. The paperback edition is listed under my full publishing name, Cecilia Regina Aquino Blanquera.

On the music side, I release work as HeyRJ. On the writing side, this site is where I gather my books, essays, notes, and whatever I’m building next.

Music

HeyRJ is my sonic soul project. I create raw, minimalist-style and deeply personal music interpretations that feel like a late-night conversation with your truest self.

By blending lo-fi acoustic textures with poetic honesty, my work explores love, loss, grief, healing, and the quiet in-betweens of life. Each song is a letter — a journal entry — a gentle companion for when the world feels too loud or too quiet.

While my catalogue began with intimate cover renditions, my work is increasingly being shaped by original writing, drawing from years of poems, lived questions, and emotional survival.

“Stuck Home Syndrome” released on March 20, 2026 is my first original 20-track album written during a period when time felt compressed and days began to blur into each other. The songs came from sitting with thoughts that had nowhere else to go — unfiltered, repetitive, and sometimes uncomfortable. It’s a concept album that isn’t built around singles or polish. It’s closer to a continuous inner monologue, recorded with minimal production and very little ornamentation and meant to be listened to as one cohesive body of work. The goal wasn’t to resolve anything, only to document how it felt while it was happening.

On May 29, 2026 I released new original singles – “Rapturous”, “Uh Huh”, “Look At You”, “All That” and “Blew Print”. I continue to release both original and cover songs and intend to so for as long as I can so check back every once in a while — you might. just find something you’ll like.

For business inquiries relating to music, email me at: heyrjmusic[at]gmail[dot]com or my personal email at: rjmarmol[at]gmail[dot]com.

Books

Rebuilding Under Debt: Thinking Clearly When Everything Is a Blur

A nonfiction book about what debt does to the mind — and how to begin functioning again when financial stress has made everything feel blurred, urgent, and overwhelming.

Rather than treating debt only as a financial math problem, the book explores the emotional and cognitive realities of financial distress: shame, decision fatigue, avoidance, panic, relationship strain, and the difficulty of making sound decisions while mentally depleted.

Published under Steady Hand Press. It’s available worldwide in ebook and paperback formats on Amazon. Bookstores and libraries can also be order it wholesale via Ingram.

Contact

For book-related inquiries, media requests, bookstore questions, or discussion-group invitations, you can reach me through the contact page on this site or send me an email to rjmarmol[at]gmail[dot]com or hello[at]steadyhandpress.com